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Chris Hayward was the first person I met who convinced me that it was possible to be an evangelical whilst being dedicated to music.

Chris oversaw the music at the Round Church in Cambridge when I first came across him. My immediate reaction to him was deep and selfish jealousy. This was because I heard him as a musician before I met him as a person. I was jealous that, though he was primarily an oboist, his keyboard skills far outshone mine, even though I was an organ scholar at the time. He used to use a spectacular ‘fill’ in the breaks between verses, which I sweated for hours to try and copy. God had given him a very natural musical ability.

There is a mission field that I’ve always struggled to know how to reach with the gospel. It’s made up of what I call ‘choral atheists’.

These are people who belong to church choirs or choral societies, they sing Christ-centred works like Bach’s Matthew Passion or Handel’s Messiah, and yet they don’t believe a word of what they sing. To be honest, I find that choral atheists are more hardened to the gospel than anyone else I meet. Just as hardened are the non-believers who like to listen to this music, which, though I don’t like the definition, I’ll refer to as sacred music.