Secular sanctity

Betty Miles  |  Reviews
Date posted:  1 Oct 2013
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Secular sanctity

The Incredulity of Saint Thomas, Giovanni Battista Cima da Conegliano, about 1502-1504 (detail from) |Photo: © The National Gallery, London

SAINTS ALIVE
Artist
Michael Landy
National Gallery until November 22

The Bible’s view of saints as ordinary Christian believers called by grace to a divine inheritance has no bearing on this exhibition.

Its subject is the centuries-old cult of ‘Saints’ — with its concomitant visions, relics, shrines and pilgrimages. For artist Michael Landy their histories are ancient fables, long-discarded by all but a few art historians and theologians. By nature charitable and optimistic, he laughingly identifies with the saints: like them he rejects the values of consumerism and he parallels his artistic wrestlings with their self-flagellation. His exhibition assumes the secular mindset that now prevails in British popular culture. Nevertheless, superstition runs deep in human nature: many people still dread ‘unlucky’ omens or calendar dates, and in Roman Catholic countries the saints are hardly forgotten relics.

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