Spy glass
CASINO ROYALE Director Martin Campbell Cert. 12A
This film is interesting, not because it is particularly edifying (it isn’t), nor even because it marks the debut of actor Daniel Craig in the role of the celebrated fictional British spy James Bond. It is interesting because it holds up a mirror and reflects the change which Western civilisation is undergoing in its attitude to itself.
Previous Bond films have represented a self-confident, even arrogant celebration of the materialism, technology and decadent sensuality of our culture. Secular democracies with their instruments of state were the world beaters who would save the world from the baddies and secure a bright future of fun and freedom for all. But with this fresh film the upbeat feel is decidedly muted if not missing. We now see ourselves differently.
Current mood
The new departure is signalled by the story, while set in the present day, taking us back to the beginning of Bond’s spying career, before he has obtained double ‘O’ status. Thus all previous Bonds are set aside. Daniel Craig brings far more grit and cruelty to the role. The chases and fight scenes are electrifying because they have moved up a couple of gears in violence. And like the current mood in Western culture following 9/11 and our interventions in Iraq and Afghanistan, James Bond is far less certain of himself.
The re-emergence of heavy shepherds
What would you think if you received a letter from your church leaders that read like this? ‘Are church members …