The mystery of our fascination with ‘cosy crime’
Cassie Martin
As October arrives and the nights draw in, there’s nothing we Brits like better than turning to a bit of ‘cosy crime’.
Whether you are looking forward to Season in the 4 of Only Murders Building, avidly keeping abreast of Richard Osman’s filming updates for The Thursday Murder Club, or taking refuge in your Poirot box set, it seems we can’t get enough of murder mysteries.
Turning to griefbots or grieving with hope?
Two of the most atypical Marvel/Disney+ series of the past couple of years have been two of the most interesting.
Instead of action men, explosions, robots and galactic threats, they featured intelligent storytelling combined with a quirky central concept, and a female showrunner and predominantly female casts. They were both, unusually for big budget productions, also about grief. Wandavision (2021) gave us the poignant line: ‘What is grief, if not love persevering?’, and in Agatha All Along (2024) the burden of grief carried by the charismatic villainess helped to humanise her.