Monthly column on the arts: sing we merrily

David Porter  |  Features
Date posted:  1 Dec 2000
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Due to the way periodicals are put together, I am writing this during mid-November, and a bleak November at that. Gales and floods are sweeping Britain, misery is nationwide and the nightly news is full of stories of personal sadness.

It's a strange time to be writing about Christmas. But one of the magical things about Christmas is that it is a festival that really does mediate joy. Even as I write, the occasional glimpse of Christmas goods in the shops, the family Christmas plans that necessarily need to be made in advance, the rich smell of the Christmas cake in the oven, and even a few early Christmas carols all have the old power to recall all the Christmases you ever experienced, and for those of us who are Christians, to turn our thoughts once again to our Saviour's birth.

It's mostly the carols that do it. Christmas cards are intriguing things. They celebrate the truth of the incarnation, wrapped up in a bundle of myths: most of us know that December 25 is the date of the old pagan Saturnalia, a date of convenience chosen to eradicate a pagan festival with a Christian one. The Bible doesn't mention kings, and certainly doesn't say there were three of them (though admittedly they did come from the Orient). The wonderful imagery of the thatched stable and snowy fields has little historical basis either. And so on ...

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